STYLES MORGUE
Artists
Salvador Dali

Salvador Dali. c. 1985. UOB Plaza, Singapore. Bronze.

Salvador Dali. c. 1931. Museum of Modern Art. Oil on Canvas.

Salvador Dali. c. 1936. Philadelphia Museum of Art. Oil on Canvas.
Wassily Wassilyevich Kandinsky

Kandinsky. c. 1913. State Hermitage Museum. Oil on Canvas.

Kandinsky. c. 1923. Centre Georges Pompidou, Paris. Oil on Canvas.

Kandinsky. c. 1939. Kunstsammlung Nordrhein-Westfalen, Dusseldorf. Oil on Canvas.
Willem de Kooning

Willem de Kooning. c. 1952 - 53. National Gallery of Austria.

Willem de Kooning. c. 1953. Private Collection.

Willem de Kooning. c. 1972. Hirshhorn Museum and Sculpture Garden. Bronze.
Joan Miro

Joan Miro. c. 1921 - 22. National Gallery of Art, DC. Oil on Canvas.

Joan Miro. c. 1923 - 24. Guggenheim. Oil on Canvas

Joan Miro. c. 1982. Barcleona, Spain
Marc Zakharovich Chagall

Marc Chagall. c. 1911. Museum of Modern Art. Oil on Canvas

Marc Chagall. c. 1912. Private Collection. Oil on Canvas.

Marc Chagall. c. 1912. Museum of Modern Art. Oil on Canvas.
Jackson Pollock

Jackson Pollock. c. 1948. Private Collection

Jackson Pollock. c. 1950. National Gallery of Art, DC. Enamel on Canvas

Jackson Pollock. c. 1950. Metropolitan Museum of Art. Enamel on Canvas.
Mark Rothko

Mark Rothko. c. 1949. Museum of Modern Art. Oil on Canvas

Mark Rothko. c. 1953. Museum of Contemporary Art, Los Angeles. Oil on Canvas.

Mark Rothko. c. 1958. Whitney Museum of American Art. Oil on Canvas
Jasper Johns

Jasper Johns. c. 1954 - 55. Museum of Modern Art. Encaustic, oil and collage on fabric on plywood.

Jasper Johns. c. 1958. Whitney Museum of American Art.

Jasper Johns. c. 1961. Museum of Modern Art. Flags, maps, targets, stencils, and numbers.
Roy Lichtenstein

Roy Lichtenstein. Barcelona, Spain. Sculpture and mixed media.

Roy Lichtenstein. c. 1963. Tate Modern. Oil on Canvas.

Roy Lichtenstein. c. 1992. Unknown. Oil and Magna on Canvas.
Costumes
The modern period is a very broad term for everything that happens after the 1920s. With the availability of ready made fashions as well as at home sewing machines and patterns, fashions change rapidly throughout this period. Each shift in style, color, or silhouette is a reaction to a political or social event or as a reverse of what the period before was doing. The further you go in the 20th century, the more clothing tends to be casual and comfortable.
WOMEN: The 1920s left us with a masculine, body shape where women could prove that they were just as good as men and should have all the rights men have. The 1930s marks the shift of women back towards feminity. The waist on garments raises back up to the natural waist, the hems drop down towards the ankle to be more conservative. Skirts are slim and are cut on the bias to create a soft, clingy, and feminine look. Women began growing out the bobbed hairstyles from the 20s. We see short styles with curls close to the head. Fabrics are soft and flowly. There is a wide variety of prints and patterns for daywear. Pants are more acceptable particularly for sports.
In the 40s, pants take a practical role when women take jobs from men that are going to fight in WWII. We shift to a more severe, military look. Garments have square shoulders many times with poofy epaulets, narrow hips, and skirts end just below the knee. Fabrics become utilitarian and are chosen based on practicality instead of aesthetics. The two piece suit for women becomes very popular. Women even begin wearing oversized men's button down shirts. Nylons are rationed and women paint their legs with makeup to give the appearance that they are still wearing seamed nylons. Hair for women become longer and more structured.
In 1947, Dior released the New Look shortly after the end of the war. Fabric was no longer rationed and the skirt became pleated and full. Each skirt was made of five yards of fabric. Jackets and skirts were padded out to shift the silhouette back to a manufactured feminine hourglass silhouette.
In the 50s, there is a shift in styles for the younger generation and the older generation. Younger girls wore poodle skirts, saddle shoes and capris worn with blouses tucked in. The older women stuck with the more conservative style of the 40s. However, full skirts and busts created the illusion of a tiny waistline. In addition the pencil skirt was popular. Women continued to wear a blouse and pants as we get more and more casual. Hair in the 50s gets shorter and softer, a more feminine look than the 40s.
In the 60s, political choices caused a rebellion in dress. Women revert to a boxy, unfitted silhouette that remained narrow. There are women dressed conservatively, women following the Mod trend (Twiggy), as well as the Hippie movement. For women, a shift dress that was slightly a-lined was popular. Jackie O was a huge style icon for the conservative women. Tights become increasingly more important as hem lengths on dresses get shorter and shorter.
In the 70s, garments become unisex. Both men and women wear caftans, jumsuits, platform shoes, and bell bottom pants. Fabric is super clingy and made out synthetic fabrics like polyester. There are bold prints but generally more conservative and earthy colors (compared to the neon that the mod movement wore). For women trumpet skirts and wider bottomed pants were popular. Culottes were also trendy because it was practical, but still gave a feminine look.
In the 80s exercise wear, designer jeans, and logos were the trends. Style icons included musicians, tv stars, as well as material girls. There is a general excess in fashion. Color, size and accessorization are over the top. Big hair, denim on denim, large shoulder pads were all popular. Waists were high.
In the 1990s, the trends for women were baby doll dresses, denim, and grunge. There was a looseness and a softness of 30s fabric but the color and style of the 70s. More women dressed for casualness than did not.
MEN: In the 30s, the width of men's clothies get wider. Wider pants, ties, and more boxy suit coats. Wide shoulders and wide lapels. Pants are creased and cuffed, but slightly shorter in length than the 20s. There was softness in the fabric that was not around in the 20s. Soft caps became popular, particularly for the casual outfits.
In the 40s, the width of the suits remain until War causes shortages. Men's sleeves, jackets and pants get shorter during war. Hat brims widen and soft felt hats are even more popular. Suit coats come in multi-tones (different chest fabric than sleeve fabric). Sweaters are acceptable for everyday wear.
The New look brings in the suit coats slightly. The pants gets narrower and cuffs are small.
In the 50s, suit coats continue to get narrower (as women's silhouettes get bigger). Lapels are slimmer, pants and ties are narrower. Suit coats button higher up on the chest than before.
In the 60s, with the politcal rebellion of war (Vietnam), we shift back to a boxy silhouette. Lapels are still narrow on suit coats. Music groups like the Beatles cause fashion trends in male clothing. Pull-over boxy shirts are worn with Bermuda shorts.
In the 70s, Suit coats get an excessive attention to detail and decoration. Patch pockets are sewn on the outside, pants get large cuffs, and rabbit ear collars exist.
In the 80s, mens clothing becomes even more casaul with the trend of exercise wear. Men wear t-shirts with suit coats. Color and pattern of the 70s goes away but men overdo it on the accessories. A preppy look is trend with multiple popped collars. Mens suits slim down again.
In the 90s, we return to very light suit fabrics that are flowy and casual.

1930s. They are wearing structured dresses with shoulder pads and a-line skirts that end just below the knee. Skirts probably cut on the bias to cling nicely. Femininity.

Advertisement. Various styles of evening wear. Fabric appears to be slinky (satin, charmeuse). Silhouettes have wider shoulders, natural waists and end at the ankles.

Military quality to clothing with details like buttons. Fabric is utilitarian so skirts hold structure more than in 30s. Hair is longer and structured as well.

Women are in the workforce, so pants becoming increasingly popular. Two piece garments: blouse (like men's shirt) and pants.

Period of excess and focus on hourglass silhouette of women. Manufactured by padding in jacket peplums and in hips of the full, pleated skirt.

Silhouettes are much less natural and more structured. Hour glass figure with full skirts over petticoats. Hair and makeup attempt to create the perfect housewife look.

These photographs show the variations of dresses worn in the period depending on the occasion. The far left is much more casual than the far right.

This pattern shows the variation on the a-line shift dress that is so popular during this period. Notice the color and pattern variety. Hair is more structured and getting larger.

Photograph of women dressing like Jackie O, what most conservative fashion follows. Large pattern and colors are still popular with conservative styles.

Photograph of Mod fashion made popular by Twiggy.

Photograph of very casual hippie movement. Very strong contrast in color and pattern.

Women wearing large bell bottomed jumpsuits made popular by Disco.

Much more casual look. Short A-line skirts, Woman on far left wearing culottes.

Bright neon colors in a variety of fashion styles Big hair, exercise wear, comfortable pants. Denim wash. T-shirts and bottoms.
Architecture

Rietveld. c. 1923 - 24. De stijl Movement.

Gerrit Rietveld. c. 1917. De Stijl Movement.

Bauhaus Movement, Dessau.

Bauhaus Movement.

Bauhaus Movement. Tel Aviv

Le Corbusier. c. 1929 - 31. Poissy, France.

Frank Lloyd Wright. c. 1898. Chicago, Illinois.

Frank Lloyd Wright. c. 1959. New York, NY.

Frank Lloyd Wright. 1937. Mill Run, PA.

Ludwig Mies van der Rohe. c. 1973. Chicago, Illinois.

Ludwig Mies van der Rohe. 1930s.
Architecture in the 20th century attempted to create a utopian society in a war torn world. Architects and artists were hoping they could make the world a better place through their architecture. The De Stijl movement from the Netherlands was about neoplasticism. There was a formal school that the architects attended to learn the style. They attempted to play with different materials to create blocks of color on surfaces. For example, the Schroder House has a superfluous panel on the outside of the building in order to break up the color. Many architects created in architecture what Piet Mondrian created in art. A balance of color and line using geometric forms.
The Bauhaus movement was a German reaction to the horrors of WWI. People involved in the Bauhaus movement created art, furniture, architecture and print work. It is generally unclear which Bauhaus artist created which piece since there was such a consolidated group of artists creating an identical style. Many of the buildings created in this movement were created for the members of the Bauhaus movement to work in and live in. They created a community for each other.
Internationalists were architects and designers that created pieces all over the world. Their popularity was widespread and they were very rarely without work. These artists include: Corbusier, Frank Lloyd Wright, Eero Saarinen, and Ludwig Mies van der Rohe. WIth their popularity, they had the freedom to create exactly what they wanted without a over-demanding client. Most of their buildings are entirely their vision, instead of one based on compromise for functionality.
Theatre
Theatre in the 20th century was dominated by the Broadway musical. Spectacle and popularity of shows always won out. Over the years, the theatre has been controlled by syndicates. Syndicates, although dominating the majority of revenue and power, really helped spread the popularity of theatre and has kept it alive and running. A modern day syndicate is Disney. Disney dominates Broadway because of their ability to create spectacle and please a wide range of audiences. Once a show on Broadway becomes popular, it has the ability to make even more money by adding marketing, merchandise, and taking a performance tour. By traveling to major cities all over the US, more citizens get to experience Broadway, producers make money on the road, and it attracts more people into New York City who loved the tour and wants to see more theatre.
Syndicates haven't always been good. Due to their power over the entire occupation, actors and designers formed their own unions in order to gain back some power and make sure that they are getting adequate working conditions and pay.
Bibliography
Buxbaum, Gerda, and Andrea Affaticati. Icons of Fashion: The 20th Century. Munich; New York: Prestel, 1999.
Dorpalen, Andreas. Europe in the 20th Century: A History. New York: Macmillan, 1968.
Eimert, Dorothea. Art and Architecture of the 20th Century. New York: Parkstone International, 2013.
Lyons, Michael J. World War II: A Short History. Upper Saddle River, N.J: Prentice Hall, 1999.
Nieder, Alison A., and Jim Heimann. 20th Century Fashion: 100 Years of Apparel Ads = 100 Jahre Mode in Der Werbung = 100 Ans De Pubs De Mode. Köln [Germany]: Taschen, 2009.
Ruhrberg, Karl, and Ingo F. Walther. Art of the 20th Century. New York; Köln: Taschen, 1998.
Schneider, Carl J., and Dorothy Schneider. World War II. New York: Facts On File, 2003.
The 20th-Century Art Book. London: Phaidon Press, 1996.
Thiel-Siling, Sabine, and Wolfgang Bachmann. Icons of Architecture: The 20th Century. Munich; New York: Prestel, 1998.
Torre, Rosemary. 20th-Century Fashion Illustration: The Feminine Ideal. Mineola, N.Y: Dover Publications, 2011.
MODERN & BEYOND
IMPORTANT DATES
1930 - Public Works Project passed by Hoover
1931 - Star-Spangled Banner is approved as the National Anthem
1932 - Amelia Earhart flies Atlantic solo
1933 - Hitler appointed German Chancellor
1935 - Roosevelt enacts New Deal: social security, better housing, farm assistance
1936 - War Begins between China & Japan
1939 - World War II Begins
1942 - Holocaust begins
1950 - Korean War Begins
1950 - McCarthyism Begins
1954 - Brown vs. Board of Education
1955 - Vietnam War Begins
1957 - Russia launches Sputnik
1963 - MLK gives "I have a dream" Speech
1963 - Kennedy Assassinated
1965 - Malcolm X Assassinated
1968 - MLK Assassinated
1969 - Woodstock Festival

Composition with Red, Blue, and Yellow. Piet Mondrian. c. 1930. Museum of Contemporary Art, LA. Oil on Canvas.
The modern period, or the 1930s until present day is rich with political and social issues. Between Wars, groups of people attempt to define themselves and obtain equal rights, equal power, equal land, and individual wealth. Almost every decade, there is a major shift in thought, a push for social change, or a War based on those new ideas. With the individualization of social and economic groups, they band together to form artistic movements and new ways to represent themselves. As far as fashion and architecture is concerned, they take old ideas and old aesthetics and adopt them to take on their political agenda.
As each new generation comes of age, they believe they have their own ideas that are better than their parents. This causes a back and forth in style over the hundred years. Their priorities shift and based on those priorities the representation in art and fashion shift. Innovation and invention further allow these shifts to happen rapidly.